Marvin gaye lets get it on original

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It was released on August 28, , by the Motown Records subsidiary label Tamla. Recording sessions for the album took place during June to July at Hitsville U. Serving as Gaye's first venture into the funk genre and romance-themed music, Let's Get It On incorporates smooth soul , doo-wop , and quiet storm. It has been noted by critics for its sexually suggestive lyrics, and was cited by one writer as "one of the most sexually charged albums ever recorded". Following the breakthrough success of his socially conscious album What's Going On , Let's Get It On helped establish Gaye as a sex icon and furthered his mainstream appeal.
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Let's Get It On (song)

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Let's Get It On - Wikipedia

It begins with three great wah-wah notes that herald the arrival of a vintage Fifties melody. But while the song centers around classically simple chord changes, the arrangement centers around a slightly eccentric rhythm pattern that deepens the song's power while covering it with a contemporary veneer. Above all, it has Marvin Gaye's best singing at its center, fine background voices on the side, and a long, moody fade-out that challenges you not to play the cut again. For the rest of the LP, Gaye uses his voice in both lead and background to create a dreamlike quality only slightly less surreal than he did on What's Going On, his very best record to date. But while on the earlier work he sang of the difference between his vision of God's will and man's life, he is currently preoccupied with matters purely secular -- love and sex.
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Let's Get It On

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After brilliantly surveying the social, political, and spiritual landscape with What's Going On , Marvin Gaye turned to more intimate matters with Let's Get It On , a record unparalleled in its sheer sensuality and carnal energy. Always a sexually charged performer, Gaye 's passions reach their boiling point on tracks like the magnificent title hit a number one smash and "You Sure Love to Ball"; silky and shimmering, the music is seductive in the most literal sense, its fluid grooves so perfectly designed for romance as to border on parody. With each performance laced with innuendo, each lyric a come-on, and each rhythm throbbing with lust, perhaps no other record has ever achieved the kind of sheer erotic force of Let's Get It On , and it remains the blueprint for all of the slow jams to follow decades later -- much copied, but never imitated.

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